Roberto Polo the amateur of art, adviser artistic of the Historismus premise , rises an exhibition about Eileen Gray. Illustrator performer and decorator from the end of the XIX century, this Irish artist has lengthily kept hidden her showpieces . Sixty of them are composed with montage, pictures and others gouaches and have beed noticed by Roberto Polo.

The enthusiast repaires them over innumerable years in order to show exceptionally . Eileen Gray is well known for her competencies in home stylisation . Her realisations of gouaches and clichés are very much determinated by the cubism which monitored in the era of her first trials in representations . After she noticed the realisations of Gerrit Rietveld, Eileen Gray neglected to her first love in order to be concentrate on unrepresentation flair .

Strongly opposed to the recent designation of Art Deco, Eileen Gray opts to present keep her realisations for herself in order to let them few years later on to her boyfriend named Peter Adam. The pictures present mainly a painting perspective executed by the artist herself. For ages she acted not openly in order to develop her gouaches .

Meeting very private and poignant about this unknow but talented master of the pictures and paintings, this exhibition has been created to introduce a real talent. Roberto Polo offers to the amateurs a special chance to learn about this artist and her different style transitions without losing her skills . Nominated "Eileen Gray: an important collection of 60 showpieces on paper", the exhibition recounts her very productive works from 1918 to 1950.
The Eillen Gray style entirely distances itself from Art Deco, which she loathes, albeit without leaving the modern current.

At the Place des Vosges in Paris is situated one of the most popular galleries of the world which is called the Historismus gallery. Settled since 2006 and managed at the start by the amateur of renamed art Roberto Polo, this room often organises some extraordinary presentations .
From its sober ambience and the reflexive decision to be installed above a restaurant, the Historismus hall of arts offers in familiarity to stray among conceptions of art professionals . Hushed and warm atmosphere, it proposes moderate sales costs for merit pieces shown .

The gallery suggests beautiful and designed works, going from the traditional period of the XVI century creators to the materials of present designers. Works from Paul Hankar, Bernhard Pankok or Michel Lienard are, without preview , mixed with the master-works of Boucher or Hector Guimard. From plastic arts to paintings and other decorative arts, the Historismus gallery is free to every artists. Its modernism part , as well as the initial works, counts among the best invested on the circuit . Roberto Polo protects this eclectic spirit since the start of the gallery, in order to prove that it is far from being a closed place, the artistic universe must be accessible to the general public to survive .

The concept functions and it is by continuing this strategy of organisation from his spiritual guide that the Historismus gallery constituted over the years a network of worldwide clients. Thanks to the total attachment of Roberto Polo to his occupation , the Historismus gallery regularly constitutes a renovated reserve of goods. Regularly known as an antiquity gallery, it also regroups many works unknown which the gallery improves under the advised eye of Roberto Polo.